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The
Hand I Fan With
Lena McPherson, the "baby of the family" from Ansa's
first novel, is all grown up, rich, beautiful and successful.
The only problem is she is also lonely, overworked and
unappreciated as the "hand" the whole town of Mulberry,
Georgia "fans with." But she is still a special little
baby girl so she and her best friend get together and
conjure her up a man and Herman, a 100-year-old ghost
appears.
In this beautifully erotic novel, Herman fills her life
with joy, love and peace and teaches her how to share
her life, wealth and gifts without destroying herself
in the process. |
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Reader's Guide
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Lena McPherson seems to have it all--the latest car, a thriving
business, beautiful clothes, community stature--and so many
people who depend on her call her "the hand I fan with."
Yet Lena's life is strangely empty. What clues to this emptiness
does the author give?
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Although Herman doesn't "appear" to Lena until Chapter
12, he makes his presence felt much earlier in the book. What
did you think of some of Lena's unusual experiences in the
earlier chapters? Did they prepare you for Herman's arrival?
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Ansa's novel is filled with vivid writing about nature--the
Cleer Flo' of the Ocawatchee River, Lena's extensive property,
her horses, etc. How does Lena relate to the beauty around
her in the beginning of the novel and by the novel's end?
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Certain images abound in the novel, those of food, mules,
and water (Cleer Flo', Lena's swimming pool, her shower, the
goddess Oshun, the storm, etc.). What did the use of these
images symbolize for you?
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The novel also includes many references to music--from old
standards to the blues, to pop music of the sixties and seventies,
to Salt 'n' Pepa. Did the use of music in the book help you
to feel the mood of the action? What else did the music convey?
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What lessons does Herman teach Lena--as a lover, friend, guide?
Do you think Lena would have "gotten it" without
Herman?
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Like many women her age, Lena has made her life's work "doing
for others": the young people in downtown Mulberry, elderly
women needing a ride to the store. When Lena has Herman in
her life, all that changes. How does the author treat Lena's
transformation and the townsfolk's reaction? Discuss the place
of duty and service in a woman's life, a black woman's life,
in everyone's life. Does Lena's service make her a "saint"?
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The novel is highly erotic and also deeply spiritual. Discuss
examples of each of these aspects. What do you think the author
was trying to say by juxtaposing and blending the two in the
novel?
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The residents of Mulberry--Cliona from Yamacraw, Chiquita,
Gloria, James Petersen--are a colorful group of characters
as well as important people in Lena's life. Do they remind
you of people in your own life? Does Lena's relationship with
them echo familiar experiences?
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The author uses some very erotic imagery in the novel--Li'l
Sis, Lena's honeypot, Lena and Herman making love on tabletops
or in a coinfield. What point do you think Ansa is making
in these scenes? How did you react as a reader? Do you think
Lena's pussy really sings? -
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Were you surprised when Herman leaves Lena? Had the author
left any clues in the book to forewam you? How did you feel
when it actually happened? What experiences and revelations
does it uncover for you?
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The novel ends with Lena making a discovery that will change
her life. What do you think the author has in mind for Lena?
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Credit: Character Art - Varnette P. HoneyWood; Site Design
- Artistic Perception,
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Tina McElroy Ansa.com
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